Sunday, March 31, 2013

"Glee" celebrity Cory Monteith is actually going to rehabilitation.

Within a declaration, Monteith's representative verified Weekend evening that this acting professional offers "voluntarily accepted themself to some treatment center with regard to material dependancy.

"He carefully requests for your own regard as well as personal privacy because this individual requires the steps needed in the direction of recuperation. inch

Individuals very first documented this news upon the web site.



This is simply not the actual 30-year-old's very first time within rehabilitation. This individual obtained therapy if he had been nineteen as well as formerly offers discussed their dependancy problems, stating he previously a significant issue as well as required simply "anything as well as every thing. inch

This individual informed Celebration this year he had been "lucky to become in existence. inch

Monteith celebrities because Finn Hudson within the He display. This individual times their co-star, Lea Michele. The girl informed People who the girl enjoys as well as facilitates Monteith and it is happy he will rehabilitation.

Read more >>

Amazing! Film 'G.I. Joe' commands No. 1 at box office with $41M

After a nine-month delay, "G.I. Joe: Retaliation" deployed to the top spot at the box office.

The action film starring Dwayne "The Rock" Johnson, Bruce Willis and Channing Tatum as the gun-toting military toys brought to life marched into the No. 1 position at the weekend box office, earning $41.2 million, according to studio estimates Sunday. "Retaliation" opened Wednesday at midnight, which helped bring its domestic total to $51.7 million.

Paramount postponed the sequel to 2009's "G.I. Joe: Rise of Cobra" last May from its original June opening date to convert the film to 3-D. The last-minute switcheroo came just weeks after "Battleship," another movie based on a Hasbro toy, sank at the box office. At that time, Paramount already began its advertising campaign for "Retaliation."

"It certainly vindicates the decision," said Don Harris, the studio's head of distribution. "Any time you make those sorts of moves, people always assume the worst. The truth is I'd seen this movie a long time ago in 2-D, and the movie worked in 2-D. It's not trying to be 'Schindler's List.' This movie is intended to be enjoyed as a big, action spectacle."

Internationally, Harris said "Retaliation" earned $80.3 million, making it the biggest international opening of the year. The film opened in 53 markets outside of the U.S. and Canada, including Russia, South Korea and Mexico.

After debuting in the top spot last weekend, the 3-D animated prehistoric comedy "The Croods" from DreamWorks Animation and 20th Century Fox slipped to the No. 2 spot with $26.5 million in its second weekend. The film features the voices of Nicolas Cage, Emma Stone and Catherine Keener as a cave family on the hunt for a new home.

Among the other new films this weekend, "Tyler Perry's Temptation" starring Jurnee Smollett-Bell and Lance Gross opened above expectations at No. 3 with $22.3 million, while the sci-fi adaptation "The Host" featuring Saoirse Ronan, Max Irons, and Jake Abel as characters from the Stephenie Meyer novel landed at No. 6 in its debut weekend with a modest $11 million.

Overall, the weekend box office was on par with last year when "The Hunger Games" continued to dominate in its second weekend of release with $58.5 million. After a slow start, Hollywood's year-to-date revenues are still 12 percent behind last year, heading into next month when summer movie season unofficially kicks off with "Iron Man 3" on May 3.

"It's getting us back on track after many weekends of down trending box office," said Paul Dergarabedian, box office analyst for Hollywood.com. "Last weekend was a turning point with the strength of 'The Croods' and 'Olympus Has Fallen' doing better than expected. We're heading toward the summer movie season on solid footing. It's been a tough year so far."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are included. Final domestic figures will be released Monday.

1. "G.I. Joe: Retaliation," $41.2 million ($80.3 million international).

2. "The Croods," $26.5 million ($52.5 million international).

3. "Tyler Perry's Temptation," $22.3 million.

4. "Olympus Has Fallen," $14 million.

5. "Oz the Great and Powerful," $11.6 million ($22.2 million international).

6. "The Host," $11 million ($6 million international).

7. "The Call," $4.8 million.

8. "Admission," $3.2 million.

9. "Spring Breakers," $2.7 million.

10. "The Incredible Burt Wonderstone," $1.3 million.

___

Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:

1. "G.I. Joe: Retaliation," $80.3 million.

2. "The Croods," $52.5 million.

3. "Jack the Giant Slayer," $25.2 million.

4. "Oz the Great and Powerful," $22.2 million.

5. "Dragon Ball Z: Kami to Kami," $7 million.

6. "The Host," $6 million.

7. "Identity Thief," $5.5 million.

8. "Wreck-It Ralph," $4 million.

9. "A Good Day to Die Hard," $3.6 million.

10. "Hansel and Gretel: Witch Hunters," $3.3 million.

Read more >>

Wednesday, March 27, 2013

John Edwards' daughter speaks on father's affair

The eldest daughter of former Democratic presidential candidate John Edwards says it was difficult to watch the experience her parents went through after he revealed that he'd had an affair.

Cate Edwards spoke in an interview scheduled to be aired on NBC's Today show Friday morning and on "Rock Center with Brian Williams" that evening. She said her father told her of the affair and that she was devastated by the news, adding that it was hard to see them go through the ordeal. The 31-year-old attorney's comments were reported on the Today website.

John Edwards' campaign finance fraud case ended in a mistrial last May when jurors acquitted him on one of six charges but were unable to decide whether he misused money from two wealthy donors to hide his pregnant mistress while he ran for president.

 

Read more >>

Actress Ashley Judd won't run for US Senate

Actress Ashley Judd announced Wednesday she won't run for U.S. Senate in Kentucky against Republican Leader Mitch McConnell, saying she had given serious thought to a campaign but decided her responsibilities and energy need to be focused on her family.

The former Kentucky resident tweeted her decision.

"Regretfully, I am currently unable to consider a campaign for the Senate. I have spoken to so many Kentuckians over these last few months who expressed their desire for a fighter for the people & new leader," Judd wrote.

"While that won't be me at this time, I will continue to work as hard as I can to ensure the needs of Kentucky families are met by returning this Senate seat to whom it rightfully belongs: the people & their needs, dreams, and great potential. Thanks for even considering me as that person & know how much I love our Commonwealth. Thank you!"

Her publicist Cara Tripicchio confirmed Judd's decision.

The 44-year-old Judd had hinted last week that she was nearing a decision about the race.

Now living in suburban Nashville, Tenn., Judd has said little publicly about her intentions. However, she has been meeting with several Democratic leaders, including Gov. Steve Beshear, to discuss a possible run.

Defeating McConnell would be the Democrats' biggest prize of the 2014 election. His seat is one of 14 that Republicans are defending while Democrats try to hold onto 21, hoping to retain or add to their 55-45 edge.

The star of such films as "Double Jeopardy" and "Kiss the Girls" is known for her liberal political views and she would have been running in a largely conservative state where Republicans hold both Senate seats and five of the six seats in the U.S. House.

Former State Treasurer Jonathan Miller, a Judd supporter, said she would have been a strong candidate.

"As a Kentuckian and someone who was really enthusiastic about her as a candidate, this wasn't the news I was hoping for," Miller said. "But as her friend, from the first time we talked about the race last summer, I was very candid about the grueling nature of politics. It's become a very unpleasant business and running against Mitch McConnell would be an extraordinarily difficult and grueling experience."

McConnell, who spent some $20 million on his last election and who has already raised $10 million for the next one, had already been taunting would-be Democratic challengers in a comical online video intended to raise second thoughts about taking on a politician known as brawler. The video plays on the fact that Judd lives in Tennessee.

Republican-leaning group American Crossroads in its own online video also plays on the Tennessee angle and ties her closely to President Barack Obama, who is unpopular in Kentucky.

University of Louisville political scientist Laurie Rhodebeck said Judd certainly wasn't frightened out of the race.

"She doesn't strike me as a shrinking violet," Rhodebeck said. "I think the real issue would be how much disruption she wanted in her life. This was the kind of thing that she would have to throw herself into 100 percent in order to make it worthwhile."

Judd and three-time Indianapolis 500 winner Dario Franchitti separated early this year after marrying in his native Scotland in 2001.

Judd's decision not to enter the race leaves the Democratic Party in search of a candidate. Many of Kentucky's top Democrats, including Beshear, have said they won't run. However, a rising star within the party, Secretary of State Alison Lundergan Grimes, hasn't ruled the race out. Grimes declined comment Wednesday evening through her spokeswoman, Lynn Sowards Zellen.

 

Read more >>

Moody 'Pines' is too self-serious

The first image you see in "The Place Beyond the Pines" is of Ryan Gosling's shirtless torso, ripped and tatted atop a skin-tight pair of leather pants.

Don't get too excited. The long tracking shot that comes next is actually a better indication of where director and co-writer Derek Cianfrance is headed.

His camera follows Gosling's character from behind, Dardennes-style, through a garishly lighted traveling circus. Gosling's bleach-blonde "Handsome Luke" lights a cigarette and strides calmly but purposefully through his depressing surroundings into a loud and crowded tent, where he confidently climbs onto a motorcycle before entering a ball-shaped cage with two other riders to perform a death-defying stunt.

Over the next two-plus hours and across three connected stories, it will become clear that everything is very dramatic and everyone is doomed. You can try to redeem yourself but it's no use; the past always catches up with us. Not a terribly novel concept but one that Cianfrance and co-writers Ben Coccio and Darius Marder hammer home with the utmost seriousness.

Gosling previously worked with the director on the 2010 drama "Blue Valentine," in which he played the husband in a young married couple (opposite an Oscar-nominated Michelle Williams) that was slowly, irreparably crumbling. That story also that was fraught with heartache but we actually felt something because the characters were complex and real and their relationship was vividly detailed.

"The Place Beyond the Pines" aims admirably for an epic sense of Greek tragedy, and it does have some powerful individual moments, but the characters are all so underdeveloped that the whole effort feels like studied posturing. Rather than helping to create a recognizable sense of place, the artful grunginess with which Schenectady, N.Y., is depicted feels self-conscious and smothering. That's down to the face tattoo Luke sports: a dagger with a drop of blood under his left eye, which is meant to look like a teardrop. (Once again, he is doing the quietly brooding Brando thing.)

In this first section of Cianfrance's triptych, Luke runs into Romina (Eva Mendes), a waitress he had a fling with when he was in town a year ago. (Schenectady, FYI, means "the place beyond the pines" in Iroquois.) Turns out her infant son is the child Luke was totally unaware he had. At the encouragement of a loner mechanic (an effectively creepy Ben Mendelsohn), Luke starts robbing banks to support the boy, even though he and the underwritten Romina would seem to have a stable life now with her new boyfriend (Mahershala Ali).

This brings us to Bradley Cooper, who anchors the second section. Cooper and Gosling's paths cross only briefly in one scene, but it is, of course, pivotal. Cooper plays rookie police officer Avery Cross, who finds himself caught up with a group of more seasoned cops (led by Ray Liotta) who want to take him under their wing and make him part of their corrupt little gang. Cooper finds the understatement in his character's conflict — his usual charisma is strangely muted here — but the theme of struggling to escape one's past is overstated once more, especially as Avery tries to establish himself outside the shadow of his own powerful father.

Finally, Cianfrance skips ahead 15 years for part three. Luke's son, Jason (now played by a wiry and intense Dane DeHaan), and Avery's son, AJ (a swaggering, trash-talking Emory Cohen), happen to cross paths themselves on AJ's first day at a new high school. Of all the tables in all the lunchrooms in all the world, he has to sit down at Jason's. A palpable sense of danger permeates every moment they spend together but the coincidence is too clever, the parallel is too precious.

Naturally, they are destined to have their legacies destroy them, too. Ultimately, none of this registers the way it should because it's so monotonously morose.

"The Place Beyond the Pines," a Focus Features release, is rated R for language throughout, some violence, teen drug and alcohol use and a sexual reference. Running time: 140 minutes. Two stars out of four.

 

Read more >>

Tuesday, March 26, 2013

Timberlake's '20/20' album sells 968K in 1st week

Justin Timberlake's comeback album has sold nearly 1 million units its first week out.

Nielsen SoundScan announced Tuesday that the singer's third album, "The 20/20 Experience," has moved 968,000 units. It's the 19th album in Nielsen's 22-year history that has sold more than 900,000 albums in its debut week.

"20/20" is Timberlake's third album and the follow-up to his multiplatinum, Grammy-winning 2006 album, "FutureSex/LoveSounds." The new CD features the pop hit "Suit & Tie."

"The numbers are pleasantly surprising," said Tom Corson, the president and chief operating officer of RCA Records, which released Timberlake's album.

The label had projected that "20/20" would sell 500,000 to 600,000 units, Corson said.

Timberlake, 31, was strategic about promoting his comeback effort: He performed at the Grammy Awards, hosted and hit the stage at "Saturday Night Live" and spent an entire week on "Late Night with Jimmy Fallon." The singer also partnered with Target for the album's deluxe edition and "20/20" streamed on iTunes a week before it was released.

Timberlake came up with the idea of a weeklong stint himself, Fallon said.

"I think he mentioned it to me like a year ago that he's working on something and wanted to do a week on our show," Fallon said Tuesday.

"20/20" is an unconventional album that features a mesh of R&B, soul, pop and futuristic sounds. The 10 tracks average seven minutes each.

Corson believes Timberlake's key to promoting the album was "less is more."

"While it felt like he was everywhere, he didn't do a lot of things because he didn't have to. But he did big things," he said.

Fallon even joked that other celebrities are trying to follow in Timberlake's footsteps with a weeklong stay on his show.

"We're getting a lot of phone calls now to do themed-weeks for people," said Fallon, who added that the show's writers and producers developed a load of material for "Timberweek."

"We have enough for another month," he said. "We could have 'Timbermonth.' Trust me, NBC is already pitching it to me."

Of the 19 albums to sell more than 900,000 in their debut week, Timberlake holds three slots. His albums with 'N Sync, 2000's "No Strings Attached" and 2001's "Celebrity," sold 2.4 million and 1.9 million in their first week, respectively. Backstreet Boys, Lil Wayne and Taylor Swift have two albums each that have hit that level.

The excitement over the new album has also boosted sales of Timberlake's other solo albums, Nielsen Co. said. Last year, "FutureSex/LoveSounds" and 2002's "Justified" sold 39,000 and 21,000 copies each, but this year they've already sold 29,000 and 17,000, respectively.

"As the marketing sort of picks up for the new record and the single goes to radio ... you definitely start to see interest," said David Bakula, Nielsen's senior vice president of client development and analytics for entertainment.

Bakula said 'N Sync sales are up, too.

"20/20" was streamed 7.73 million times on Spotify in its first week, putting it second behind the 8 million streams set by Mumford & Sons' "Babel" last year. Steve Savoca, Spotify's head of content, said Timberlake's colossal first-week numbers are another example of how streaming music helps artists sell albums.

Fallon said Timberlake worked tirelessly ahead of the five shows and he's proud of his friend's success.

"Justin was here till 11 o'clock most nights choreographing dance moves so he nailed it the next night," he said. "And he was sick at the time."

Corson said this week's success could change the expectation of Timberlake's follow-up to "20/20," which will likely be released later this year.

"It sure should," he said with a laugh. "Part two is now even more anticipated."

Timberlake could even show up for a stint on Fallon again.

"We are already talking about it," Fallon said.

 

Read more >>

Monday, March 25, 2013

'Breaking Bad' script missing after car break-in

A man accused of breaking into "Breaking Bad" actor Bryan Cranston's car late last year and stealing a script for the popular television show set in New Mexico has been arrested, authorities said Monday.

Bernalillo County Sheriff's officials said Xavier Macafee, 29, was being held on suspicion of burglary.

Macafee, of Albuquerque, was booked into jail last Friday and made his initial court appearance Monday, according to authorities who didn't immediately know if he had a lawyer.

Deputy Aaron Williamson, a spokesman for the sheriff's department, said none of the stolen items have been recovered but detectives were investigating the case.

He said other items reported taken from Cranston's car were an iPad, a shoulder bag and "miscellaneous personal items."

Cranston's car was broken into Dec. 20 while it was parked at Sandia Peak, authorities said.

The award-winning AMC TV series is set in Albuquerque and is filming its fifth and final season in and around the city.

"Breaking Bad" follows Cranston's character Walter White producing and selling methamphetamine with a former student named Jesse Pinkman, who's played by Aaron Paul.

A call to AMC network officials in California for comment on the script theft wasn't immediately returned Monday afternoon.

 

Read more >>

Prince Harry to visit the United States

Officials say Britain's Prince Harry is returning to the United States — but this time he's skipping Las Vegas.

St. James's Palace said Monday that the 28-year-old prince will travel to the U.S. east coast as well was Denver and Colorado Springs, Colorado. His trip will include trips to Arlington National Cemetery, Walter Reed National Medical Center and the competition between British and American veteran athletes in the Warrior Games in Colorado Springs.

He will also visit Hurricane Sandy victims in New Jersey.

Harry, who is third in line to the throne, made headlines on another U.S. visit, when he was caught frolicking in the nude after what was alleged to have been a game of strip billiards in his Las Vegas hotel room.

 

Read more >>

Amputee veteran helps train troops for war

The sailor had been back from war for just over a year when friends invited him to watch an unusually emotional training exercise for troops preparing to deploy.

The drill happened not on a military base but at a film studio, where Marine and Navy medics role-played wartime rescue missions with actors who had, in real-life, lost limbs in motorcycle or car accidents or to ailments such as cancer.

Those on hand weren't sure how Joel Booth would react. The 24-year-old had been attached to a Marine battalion in Afghanistan as a naval combat medic — until he stepped on an explosive and doctors, two years ago, amputated his right leg below the knee. Since returning home he'd had to learn to adapt while also coping with the post-traumatic stress.

But Booth was transfixed as fake bombs exploded and medics practiced the type of rescue missions he'd once been on, saving the amputee actors — as he, in the end, had to be saved.

Then the young veteran did something unexpected: He asked for an audition.

Perhaps, he thought, this injury that had forever altered his life could help save someone else's. What he didn't know was how much reliving the horrors of war would help him, too.

"In society, amputees are seen by people on a large scale as having a disability, being weaker. But ... even someone who doesn't have a hand can still operate a weapon to be able to defend themselves," he said.

"It's the same thing for me. I'm not afraid of it just because something bad happened. For people who haven't been in combat, it's hard to understand."

Producer Stu Segall, best known for the TV show "Silk Stalkings," started Strategic Operations more than a decade ago to offer the military what it calls "hyper-realistic" training by using movie-making special effects and actors.

The group has since trained hundreds of thousands of troops in recreated scenes from Iraq, Afghanistan, Somalia and other hotspots. The creators strive to make the re-enactments as jarring as possible so troops experience war first in a controlled environment, and learn not to be rattled by it.

Marine 2nd Lt. Duane Blank, a commander who has gone through similar training, said amputee actors add a degree of realism that no one else can.

"The visual effect is invaluable because it's something you don't encounter every day," said Blank, an Iraq war veteran. "There is no way to recreate that aspect of real combat, seeing a brother hurt in that sort of way."

Since the inception of Strategic Operations, the group's founders had made a concerted effort not to use veterans who lost limbs in combat.

"We felt it was one of those things: Why would you ask somebody who has gone through this experience to relive it? And we had plenty of amputee actors," said executive vice president Kit Lavell.

Lavell flew 243 missions in Vietnam as a naval aviator. He knows how hearing screams and explosions — even on a studio lot in San Diego — can quickly bring back the stress of battle for even the most hardened soldiers.

But Booth convinced Lavell to let him join the group.

"He was so well-prepared as a corpsman," Lavell said. "We felt: He's the perfect one to do this."

Booth first joined the Navy, at the age of 21, because he wanted to see combat and help save lives. The job of corpsman was perfect for him; as field medics in charge of providing emergency care to battleground troops, corpsmen often are caught in the thick of the action.

Almost a year after enlisting, he was deployed with the Marines to the Taliban stronghold of Sangin, Afghanistan. On July 21, 2011, while out on patrol, he and a Marine volunteered to return to base to get supplies. As they were walking, an explosion catapulted Booth onto his back.

He calmly told the Marine to check behind them for more IEDs. Then he looked down at his leg. There was no blood but the pain was excruciating and Booth couldn't stand up. His ankle bones had been crushed.

Two days later he was back in the U.S., where he underwent surgery after surgery. But Booth didn't want to be a patient. Frustrated with each failed operation and a growing infection, he pushed his doctors to amputate.

As a medic, Booth knew what his life would be like without a limb, and he wasn't afraid. He had seen fellow service members adapt relatively quickly to using a prosthetic. He figured he could return quickly to an active lifestyle, doing the things he enjoyed, like riding motorcycles.

Booth learned his tenacity from his dad, a Black Hawk pilot in the Gulf War who taught his son to remember when faced with a challenge: "It could be worse. Just get through it and get on with it."

On Nov. 29, 2011, doctors amputated Booth's lower right leg. He was fitted with his prosthesis, and began therapy three times a week to learn how to walk again.

But Booth soon noticed his injuries went beyond the physical. During the day, he felt on edge. At night, he had nightmares or insomnia. He started seeing a psychiatrist, who diagnosed him with PTSD and prescribed medication.

He wondered what he would do with his life when some Navy instructors who were training young medics invited him to the film studio.

A year ago in April, Booth started work with Strategic Operations. He has now performed with the group a dozen times, and he isn't bothered by the gore and gunfire. Rather, said Booth, the exercises have helped him deal with his post-traumatic stress.

"When we're at the point where the explosions and the gunfire is going off, I'm in a whole different mindset. I'm yelling and screaming and waiting for the corpsmen to come help me. So I'm not really worried about that (PTSD) anymore," said Booth, who has since stopped taking his PTSD medication. "It's more so about the guys coming to get me and really helping them."

Mental health professionals said they are not surprised Booth has found solace in his role-playing.

"For many of these guys it doesn't get better than that — to be able to know you are making a difference in the lives of people who are still in combat," said Nancy Commisso, a therapist with Easter Seals. "None of these guys want to be the patient — especially corpsmen who tend to be the ultimate persona of strength and someone who wants to help."

Commisso has had veterans with PTSD re-enact their combat experiences to diffuse the emotions burdening them.

"If they can go through that and come out of it OK, then they know, 'Whew!'" she said. "Then each time they do that, it can get better and better."

Lavell said having Booth has greatly enhanced the training because he bases his role-playing on his real-life experience, and is able to share tips that only a combat veteran can offer.

Earlier this year, Strategic Operations accepted its second veteran into the group: Redmond Ramos, another amputee corpsman whom Booth met while they were both recovering at the hospital.

On a chilly but sunny morning at the studio last month, shrill sirens pierced the air as smoke wafted from a crashed helicopter. A bloodied mannequin with no legs dangled from a strap off the rotor.

Booth sat under the prop, leaning against the aircraft. He jiggled his amputated leg to make it look like it was quivering. Marines scrambled to him, dodging Hollywood-style gunfire as Booth shouted: "Help me!"

One of the trainees fumbled as he hurried to put on a tourniquet and bandage.

Then he hoisted a limp Booth over his shoulder and ran as explosions boomed.

It was one of the numerous times that day Booth would be rescued.

 

Read more >>

Grown-up Minnie Mouse gets mature Lanvin make-over

Forever-young Minnie Mouse is growing up and moving on from her old red and white polka dots.

Lanvin has designed the loveable Disney rodent a new dress — a more mature frock in royal blue and long sleeves that she can wear at special Paris events.

It was unveiled at a catwalk show in Disneyland Paris on Saturday evening.

Gone was the oversized hair bow that has been the signature of the character since she was created in 1928. In its place, the catwalk presentation showcased a smaller-sized red tiara alongside a thick, bejeweled hourglass gown with padded shoulders.

"Walt Disney was the one that actually designed Minnie. It's the first time an actual designer has come into the picture and designed a dress for her," Lanvin's designer Alber Elbaz told The Associated Press following the show.

"It was a great challenge and responsibility to do. I just wanted her to shine... I wanted to give her a crown in red, and the dress in blue, (a signature) for Lanvin."

The dress got applause from the celebrity-filled front row including actress Virginie Ledoyen and model Natalia Vodianova.

But the more mature look — which also did away with her famed white bloomers — didn't impress everyone.

"It's definitely more mature. It looks a bit mother of the bride," said spectator Matthew Gallagher. "I preferred the polka dots."

Traditionalists will be pleased to know that Disney says Minnie will be allowed to keep her red and white look for normal events.

Minnie has also kept her full hourglass figure. Last October, images destined for Barneys New York shop window were criticized after Minnie became a long, lean high-fashion model.

Dubbed "skinny Minnie" the short film featured the mouse-fatale in a hot-pink, ruffle covered Lanvin dress — with longer legs, leaner arms and daintier gloved hands.

"We're not here to transform people," said Elbaz. "We love her the way she is."

 

Read more >>

Friday, March 22, 2013

Rodin's 'Burghers of Calais' returns in Philly

"The Burghers" are back.

After months of work to remove years of discoloration and damage from acid rain and pollution, Auguste Rodin's monumental bronze sculpture "The Burghers of Calais" was returned to its pedestal at the Rodin Museum on Friday.

A team of museum and construction workers precisely guided the 6,000-pound sculpture into position while a giant crane slowly lowered it onto its base in the museum's garden. It's a homecoming for "The Burghers," which spent decades outdoors before moving inside in the 1960s due to concerns about pitting and oxidation from exposure to the elements.

Senior conservator Andrew Lins said the restoration was done "in keeping with the aesthetics of the garden and the aesthetics Rodin had for these figures when he was alive."

"We've tried to return them to an appearance close to — not exactly the same as, but close to — that intention of the artist," Lins said.

Technological advances allowed conservators to remove the white streaks and dark buildup that covered "The Burghers" with a laser tool and chemical agents. They then rebuilt the surface patina in layers using chemicals and heat, followed by multiple layers of protective coating to protect the bronze from future weathering.

"It has a sort of polychromatic effect," project conservator Katherine Cuffari said. "It's not a monochromatic surface, it doesn't look like a green Army man or a chocolate casting, it looks like a sculpture and it follows the form. There are greens and browns applied in multiple layers."

The "Burghers" restoration caps a three-year renovation of the Rodin Museum, located between the Philadelphia Museum of Art and the new Barnes Foundation on the Benjamin Franklin Parkway. The classical Beaux-Arts building has the largest collection of Rodin sculptures outside of France.

The museum opened in 1929, a gift to the city from movie theater magnate Jules Mastbaum. As part of the recent $9 million renovation, sculptures were cleaned and returned to their original positions inside and out while the formal French gardens, fountain and reflecting pool were restored.

There are a dozen casts around the world of "The Burghers of Calais," which commemorates the surrender of six of Calais' prominent residents, or burghers, in 1347 during the Hundred Years' War between England and France. The original cast from 1895 is located in the French port town for which the sculpture is named.

 

Read more >>

Dan Stevens not too emotional about 'Downton' exit

"Downton Abbey" fans were devastated when Matthew Crawley made his dramatic exit from the series at the end of the show's third season. The actor who played him, however, is less emotional about the plot point.

"It's nice that people care, I suppose, about the show, but yeah, you know ... I had to do what I had to do," Dan Stevens said Thursday while attending a New York reception to launch a two-day pop-up showcase to promote British tourism.

He does, however, recognize the phenomenon the show has become, airing in countries across the globe.

"It's a show that means a lot to a lot of people, and, you know, we've obviously gone into a lot of homes on a Sunday night, so people feel very close to the show, which is great," Stevens said.

On "Downton," the relationship between Crawley and Michelle Dockery's Lady Mary was a central story line.

Stevens left the show to pursue other opportunities, which have opened up for him. He recently starred in "The Heiress" on Broadway with Jessica Chastain and shot a role in an upcoming film about the founder of WikiLeaks with fellow British actor Benedict Cumberbatch.

Stevens is now filming a movie in Brooklyn with Liam Neeson called "A Walk Among the Tombstones." That part has required the 30-year-old to trim down a bit and darken his hair. When he was first spotted publicly last weekend at the GLAAD Awards sporting the new look, photos quickly spread online with chatter about the change.

Stevens seemed especially surprised — if not confused — by the interest in his appearance.

"Really? OK, I suppose," he said. "There's so much else going on in the world."

He was more interested in encouraging people to visit his homeland.

"It's a great country. There's all sorts to offer. ...There's culture, music, art, food," he said. "The food is much better than it used to be, and the weather is getting better, too! "

 

Read more >>

Saturday, March 16, 2013

Third 'Story' subtitled 'Coven;' Bates joins cast.

The third season of "American Horror Story" will be subtitled "Coven," and add actress Kathy Bates to the series' ensemble, according to the TV anthology's co-creator, Ryan Murphy.

"We're far enough along in the writing that I can tell you what it's about," Murphy announced to more than 1000 of the show's fans who attended the PaleyFest panel on the series Friday night at the Saban Theatre in Los Angeles.

Murphy ("Nip/Tuck," ''Glee," ''The New Normal") confirmed there would be witches in the new season, but failed to reveal any more plot specifics. "It's a really cool story that we've been talking about for a couple of years, actually, and this seemed the year to do it," he continued, dropping one more tidbit:

After filming the first two seasons on lots and soundstages, parts of the series three will be shot in New Orleans.

"The fun thing about doing the show is researching what are the really haunted places in America, because every year the institution is one of the lead characters," Murphy explained. "The first year was Murder House, and this year was Asylum. We have another couple doozy locales."

Joining Murphy on the panel were "American Horror Story: Asylum" cast members Frances Conroy, Naomi Grossman, Jessica Lange, Sarah Paulson, Evan Peters and Lily Rabe as well as executive producers Dante Di Loreto, Brad Falchuk and Tim Minear. Before the event, it had been reported that Conroy, Lange, Paulson, Peters and Rabe were confirmed to be a part of the third season.

Previously, Murphy had also said Lange would be playing a "glamor cat" in her latest "Story" role. When Lange was asked about that new character, she replied, laughing, "I don't know what a 'glamor cat' is, but I am excited about it."

Late in the event, the ensemble's latest major cast addition was introduced to the audience: the Oscar-winning Bates ("Misery"), who said she was a big fan of the series and a longtime friend of Lange. Joked Murphy, "You know, I love a good Oscar winner," referring to two-time Academy Award honoree Lange, and adding that he and Lange had thought of Bates as this season-three character for some time. "So I pitched (Bates) this cuckoo-for-Cocoa-Puffs character. I said, 'I know you have a lot going on. And we're way, way, way far ahead, but think about it for a couple weeks, and call me or write me.' And my phone rang an hour later: 'I'm in.'"

"I've always been fast," Bates injected, chuckling.

Continued Murphy, "The only thing I'll say about the part is, you know, I wanted to see a lot of scenes with Jessica Lange and Kathy Bates going at it. So, that's what you're going to see."

Murphy also said he was considering a vampire-themed 'Horror Story,' and that "I have been talking to John (FX network president and general manager John Landgraf) about doing a companion piece to 'American Horror Story,' so I think it would be really cool to do a couple different incarnations of the idea. So, we've been talking about that, but I can't talk about it."

"American Horror Story: Coven" will premiere this fall on FX.

 

Read more >>

Friday, March 15, 2013

NM governor vetoes TV, film incentives expansion

Susana Martinez, whose crackdown on unlimited film subsidies has been blamed for a drop in TV and movie production in New Mexico, vetoed a so-called "Breaking Bad" bill Friday that would have sweetened tax incentives for TV series that film in the state.

In her message to the Legislature, Martinez said she supports the film industry but objected to lawmakers approving only a subsidy for Hollywood rather than making it part of broader economic development incentives she is seeking.

"I cannot in good conscience further expand New Mexico's film subsidy while leaving other sectors in our economy unassisted and genuine reform unattained," the Republican wrote.

Jon Hendry, a union representative for film workers, said he remained optimistic a compromise could be reached before lawmakers adjourn Saturday.

"Her message was very positive," Hendry said. "There is a deal to be had. We are not going to throw New Mexico workers under the bus just for the film industry. So we are encouraging everyone to work for a deal."

The bill's sponsor, House Majority Whip Antonio "Moe" Maestas, D-Bernalillo, said it was unfortunate the bill had become "a political football" but he still hoped to get the issue passed before adjournment.

Wayne Rauschenberger, the chief operating officer of Albuquerque Studios, said he was disappointed.

"This is not the message we want to send out to the industry right now!" he said in an email.

New Mexico offers a 25 percent tax refund for certain film and TV production expenses but caps the amount of payouts at $50 million per year. That cap was imposed two years ago by Martinez and is blamed by the industry for a drop in productions in New Mexico.

Industry officials have said the lack of a guaranteed incentive was harder on television series than high-budget movies.

They were worried about attracting new shows since "Breaking Bad" and "In Plain Sight," which helped Albuquerque make a name in the film industry, are ending. "In Plain Sight" has wrapped it final season, and "Breaking Bad" is finishing production of its last season.

The vetoed bill would have allowed unused subsidies up to $10 million to carry over to the next year. In addition, it would have increased the incentive to 30 percent for a TV show producing at least six episodes in New Mexico, and for film and TV projects using a studio in the state over an extended time.

 

Read more >>

Sign says 'For Sale,' but Newtons intend to stay

The sign may read "For Sale" outside the sprawling southeast Las Vegas estate that Wayne Newton dubbed "Casa de Shenandoah."

But Newton's wife, Kathleen McCrone Newton, said Friday that even if a bidder snatches up the property at auction May 31, the "Mr. Las Vegas" crooner and his family have no intention of moving out.

"We stay here until we choose to leave. We have that right," Kathleen Newton told The Associated Press. "Even if at some point the property gets sold, it gets sold with us here."

She said a lease with a partnership that purchased the nearly 40-acre property for $19.5 million in June 2010 will let the couple and their 10-year-old daughter stay in the gold-trimmed opulent main house.

The mansion, featuring 17th century antiques and keepsakes from performers like Frank Sinatra, Elvis Presley and Bobby Darin, was to have been the featured attraction in a "Graceland West" attraction commemorating the career of the 70-year-old "Mr. Las Vegas" crooner. But those plans have crumbled.

Kathleen Newton's sister, Tricia McCrone, lives in another home on the property. Newton's 92-year-old former longtime personal secretary, Mona Matoba, lives in a third.

An exotic menagerie including Newton's penguins, swans and Arabian horses also stay, Kathleen Newton said.

Well, maybe not, said Joseph Wielebinski, a Dallas-based lawyer representing the property owner, CSD LLC, in a bitterly contested Chapter 11 reorganization.

"We have teed up that issue for resolution by the judge," Wielebinski said. "It is anything but certain whether the Newtons remain on the property or not."

The Newtons don't own the Casa de Shenandoah property anymore, Wielebinski said.

While Newton certainly owns his famous Arabian horses, he doesn't own the irrigated green pastures where they graze. The court will have to decide if he owns the barns where they're kept. And leases can be broken during bankruptcy reorganization.

"This is a business divorce. Everything is contested," Wielebinski said.

U.S. Bankruptcy Court Judge Bruce Markell in Las Vegas is poised during hearings March 29 and April 8 to rule on questions about who owns what.

The judge last month approved letting CSD sell animals including two sloths, several wallabies and more than 100 birds including swans, a crowned crane, macaws and love birds for $27,300 to a wildlife center in northern Oregon.

Kellie Caron, curator at the Zoological Wildlife Conservation Center in Rainier, Ore., didn't list penguins among the animals she said she expects to be taking in. She said the animals involved in the sale belonged to CSD, not the Newtons.

The breakup is complicated by the structure of the June 2010 land purchase deal around which the Wayne Newton tourism attraction would have been built.

Wayne and Kathleen Newton, through a business entity called Sacred Land LLC, own 20 percent of their bankrupt landlord, CSC LLC. Lacy and Dorothy Harber of Texas, through DLH LLC, own 70 percent of the property ownership entity. CSD Management LLC, made up of project manager Steven Kennedy and his partner, Geneva Clark, have a 10 percent stake.

There is also intense acrimony between the parties. The two sides traded allegations of fraud, mismanagement, animal abuse and sexual harassment even before the case reached bankruptcy court. Newton lawyer J. Stephen Peek alleged during a breach of contract hearing last summer in state court there had been death threats.

One thing that Newton attorney Bryce Kunimoto and Charles McCrea Jr., an attorney representing the Harbers, agreed upon Friday was that nothing was certain.

"Though CSD will probably disagree, the Newtons have a right under the lease to remain on the property," Kunimoto said.

McCrea said the Newtons may be able to remain in the three houses if they want.

"But they will not have control over the entire 'Casa de Shenandoah' property, only that portion occupied by the houses," he said. "The Newtons may decide they don't want to stay in the houses because they will have little say on what may be developed around them."

 

Read more >>

Gomez in an 'awkward' transition with 'Breakers'

"A little awkward" is how Selena Gomez describes her transition from Disney girl to Disney girl gone wild in the new R-rated independent film "Spring Breakers," in which she plays a bikini-clad and heavily armed college student bent on a good time with three friends and some drugs, sex and violence.

"I am getting a little bit older, so I wanted to push myself and kind of get into a little bit more of an indie world. And it was a really great experience for me. And at the same time it has been, of course, a little awkward, but great," the 20-year-old Gomez said Thursday at the film's Hollywood premiere.

Known for her role on Disney's "Wizards of Waverly Place," Gomez actually began moving to a faster track as Justin Bieber's now ex-girlfriend. "Honestly, it's been a weird transition. You never really know what's right or wrong and you can only do the best you can," she said.

Directed by art-house favorite Harmony Korine and also starring James Franco and Vanessa Hudgens of Disney's "High School Musical" fame, "Spring Breakers" follows four young women on a Florida coast vacation romp they financed with a diner robbery.

Some of Gomez's young fans were gathered outside the ArcLight Theatre hoping to catch a glimpse of the star. But she warned them not to go inside.

"I think they're really here to see me. I don't think they're here to see the movie," she said. "This was a little bit different. So yes, they shouldn't go see this."

Gomez is also getting attention these days for her own recent reactions to her split with Bieber. A breakup song from her new album called "Rule The World" just leaked on the Internet. "Our love was made to rule the world. You came and broke the perfect girl," she sings.

Commenting on the song, Gomez would only say, "That's not my first single. But it was a song I recorded. But you'll get to know my album a little bit soon — sooner than later."

 

Read more >>

'Breaking Bad' brings tourists to Albuquerque

A fast-food burrito chain in Albuquerque has become an international tourist attraction as people come from all over the world to see the spot where a fictional drug trafficker runs his organization. A pastry shop sells doughnuts topped with blue candy designed to resemble crystal meth. A beauty store has a similar product — crystal blue bathing salts.

As "Breaking Bad" finishes filming its fifth and final season in Albuquerque, the popularity of the show is providing a boost to the economy and creating a dilemma for local tourism officials as they walk the fine line of profiting from a show that centers around drug trafficking, addiction and violence. "Breaking Bad" follows the fictional character Walter White, a high school chemistry teacher turned meth lord.

Albuquerque has seen an unexpected jump in tourists visiting popular sites from the show and local businesses cashing in on its popularity. Tourists are also flocking to sites that before the show were unknown and unimportant: the suburban home of White, played by Bryan Cranston; a car wash that is a front for a money-laundering operation on the series; a rundown motel used frequently for filming; and the real-life burrito joint, which is a fast food chicken restaurant on the show. The Albuquerque Convention & Visitors Bureau has even created a website of the show's most popular places around town to help tourists navigate, and ABQ Trolley Company sold out all its "BaD" tours last year at $60 a ticket.

"They ask if they can take pictures. They ask if Gus is here," said Rachel Johnson, 19, a shift manager at the Twisters burrito restaurant in Albuquerque's South Valley, referring to the show's character Gus Fring, played by actor Giancarlo Esposito. The eatery has served as the location for the "Los Pollos Hermanos" restaurant where Fring runs his drug operation on "Breaking Bad."

Other popular shows over the past decade like "Sex and the City" and "The Sopranos" have generated tours and widespread interest in the filming locations, but "Breaking Bad" has seen a unique twist with drug-themed products that have been springing up around Albuquerque.

Debbie Ball, owner of The Candy Lady store, recently capitalized on the show's popularity by selling blue "Breaking Bad" meth treats — sugar rock candy that looks like the meth sold on the show. Ball provided her candy as props of the show in the first two seasons and said she has sold 20,000 bags of the stuff at $1 apiece. She also launched her own "Breaking Bad" limo tours this year with a driver dressed as Walter White.

"The show is amazing," said Ball. "I don't live too far from Walter White's house."

A pastry shop called the Rebel Donut has among its specialties "Blue Sky" Breaking Bad doughnuts, pieces decorated with blue rock candy. And the Great Face & Body shop recently developed a new line of blue bath salts called "Bathing Bad." (It's actually bath salts used to bathe, not the street drug also known as "bath salt.")

Meanwhile, Masks y Mas Mexican folk art store near the University of New Mexico sells papier mache statues of La Santa Muerte — Mexico's folk Death Saint who counts drug traffickers among her devotees. During the chilling opening scene of the show's third season, a pair of cartel assassins is shown crawling to the saint's shrine in Mexico to request some divine help.

"We provided the Santa Muerte statues for that shrine in that episode," said store owner Kiko Torres. "The stuff now sells out all of the time."

Tania Armenta, a vice president for the Albuquerque Convention & Visitors Bureau, said the city has seen positive benefits from the show's popularity, from demands for tours to inquiries from other production companies seeking to film in Albuquerque. The Legislature also passed what has been labeled the "Breaking Bad" bill this year that provides tax breaks to TV shows that film in New Mexico.

"It's raised the visibility of the city," said Armenta. "They are intrigued by the scenic images that they see."

Still, tourism officials and business owners are quick to point out that they are walking a fine line in trying not to promote the dark themes from "Breaking Bad." But their pride in the show taking place in Albuquerque — and the money that it brings in — is often enough to offset their concerns.

Ball said the show doesn't glorify the drug war but rather educates the public on its dangers.

"Watch it with your children. Yes, it's dark," said Ball. "It actually educates you about meth, about making it and what actually happens to you when you walk down that road."

The show's themes prompted Miguel Jaramillo, 28, and Kim Shay, 38, both of Albuquerque, to take their own tour of the "Breaking Bad" sites around town during a recent afternoon.

While at the Crossroads Motel, known on the show as a den for meth use and prostitution, Jaramillo took photos with a smartphone and uploaded them to his Instagram account. In a day's time, the pair had visited more than six sites and planned on seeing more.

"This is part of my geekiness, I guess," said Jaramillo, who recently fell in love with the show before realizing how big of a role Albuquerque played in it. "I'm geeking out today.

 

Read more >>

'Smash' star Hilty delivers unexpected CD debut

Last week, singer-actress Megan Hilty wrapped her second, and possibly final, season of the TV musical "Smash."

But no time for curtain calls — a day later she made her Carnegie Hall headlining debut to a sold-out house. She spent this week racing around New York, getting the word out of her first solo album, "It Happens All the Time," which was released Tuesday.

"It's been a whirlwind," Hilty said, with a sigh, speaking by phone from what she said was only quiet spot she could find: the lobby of Marriott Marquis hotel.

The Broadway veteran doesn't ease on down the well-worn Broadway-diva CD-debut road, usually leading to a set of classic standards.

"While I love those albums," Hilty said, "I wanted to do something unexpected."

"It Happens All the Time" began as an album comprised solely of contemporary-pop covers "But then Columbia started sending original songs along, and things started to evolve." The result is a collection of wide-ranging genres: modern soul, '70s pop, contemporary alternative.

Talk about marketing nightmares. "I probably am," Hilty said, laughing. "I don't know what to call it either."

And yet the record is thematically consistent.

"I guess it is a breakup album, but not a cry-your-eyes-out kind of album," Hilty said. "That's why we went with 'It Happens All the Time' as the title. People fall in and out of love all the time."

The 31-year-old Hilty said she is in a relationship, though she wouldn't reveal details about her personal life, except to add that she lives in New York and is the proud parent of two Jack Russell terriers.

It wasn't any easier getting Hilty to spill spoilers about "Smash," NBC's both revered or reviled saga of the rocky road for a Broadway-bound musical. More than one TV-ratings analyst has dubbed the show "Crash" as some weeks of the series' second-season viewership have marked new all-time lows.

"The feeling on the set, from day one, was to work as hard as we can, and enjoy each other," Hilty said. "You can't control any of the rest of it. It's just like life."

When last we left her character, actress Ivy Lynn, she was doing a straight play, and her competition for the lead in the Marilyn Monroe musical, "Bombshell," Karen Walker (Katharine McPhee), was heading to Broadway.

"I can tell you this one thing," Hilty said. "Ivy's fate with 'Bombshell' comes all the way down to opening night."

 

Read more >>

Thursday, March 14, 2013

Jennifer Garner loves pictures of bearded Affleck

Jennifer Garner tries not to look at reviews of the outfits she wears because, inevitably, someone isn't going to like it.

"It's not good for my self-esteem," she said Wednesday while in New York to open the Neutrogena Sun Summit.

The exception was after the Oscars last month. Garner's violet-colored, custom-made Gucci gown was a winner — but that wasn't what she was looking for after husband Ben Affleck's film "Argo" won best picture. "I reveled in all those good pictures of him," she said.

Garner, a Neutrogena spokeswoman, practices what she preaches when it comes to sun safety. Her children make sure of it.

In her household, sunscreen is like seat belts: non-negotiable. Garner said while she was away Wednesday, the kids surely would remind their dad if he dropped them at school without their daily slathering.

"I think I once told my kids it was against the law not to wear sunscreen," she said.

Garner's appearance was followed by a panel discussion that included dermatologists, a NASA scientist and Mexican actress Sandra Echeverria.

An eager science student growing up, Garner, 40, said the conference's terminology — and warnings — about the ozone layer and ultraviolet rays isn't lost on her. She joked, though, that she wouldn't want to be quoted on exactly what the Helioplex formulation is or what vitamin C can do for the skin.

But she had her "a-ha" moment about sun damage in her 20s, when she was out with friends. "They all had big hats on, and I didn't."

"Suddenly you look one day and the sun damage is there ... and then you see it increase exponentially."

She'll take little credit for that Oscar night look — calling it a team effort led by Rachel Zoe. The partnership between Zoe and Garner goes back more than a decade, with Garner as the stylist's first big Hollywood client.

"She knows I'm not going to wear super-crazy fashion," said Garner. Where Garner leans toward comfort, Zoe goes for fancy — and "she usually wins."

Garner's outfit Wednesday — an Oscar de la Renta sheath dress and pointy-toe pumps in black patent leather — hit the right balance. In her casual style, Garner, wearing a smile, described the look as "just a little purple Oscar number."

 

Read more >>

Wednesday, March 13, 2013

Man who recorded '47 percent' remarks speaks out

The bartender working the private fundraiser where Republican presidential nominee Mitt Romney made his comments about "47 percent" of Americans says he didn't make the secret recording as a political partisan.

In his first public interview, Scott Prouty tells MSNBC's Ed Schultz that he lost sleep and struggled for weeks before deciding to release the recording to the magazine Mother Jones. But Prouty says he thought it was important that people heard Romney and knew what he was really thinking.

In the video, Romney tells donors paying $50,000 apiece that 47 percent of Americans are dependent on government, see themselves as victims and believe the government has a responsibility to care for them.

Romney's critics used the video to argue that he was out of touch with average Americans.

 

Read more >>

Pursuit of hackers who took credit reports expands

The pursuit of hackers who audaciously stole and published credit reports for Michelle Obama, the attorney general, FBI director and other U.S. politicians and celebrities crisscrossed continents and included a San Francisco-based Internet company, Cloudflare, The Associated Press has learned.

The sensational crime caught the attention of Congress and President Barack Obama, who said "we should not be surprised."

Obama said he could not confirm that the first lady's credit report was published earlier this week on a Russian website, along with what appeared to be the credit reports of nearly two dozen others, including Republican presidential candidate Mitt Romney, Donald Trump and celebrities Britney Spears, Jay Z, Beyonce and Tiger Woods.

The president said determined hackers are a persistent threat.

"We should not be surprised that if you've got hackers who want to dig in and devote a lot of resources, that they can access people's private information," Obama told ABC News in an interview aired Wednesday. "It is a big problem."

Obama added: "It would not shock me if some information among people who presumably have pretty good safeguards against it, still gets out. That's part of the reason why we've got to continually improve what we do and coordinate between public and private sectors to make sure that people's information is safe."

On Capitol Hill, the chairman of the House Judiciary Committee cited the breach Wednesday at a congressional hearing about the government prosecuting hackers. Rep. Bob Goodlatte, R-Va., said the leaks of financial information was "just the beginning of the problem" when it comes to the vulnerability of U.S. computer networks. Goodlatte said the U.S. has billions of dollars at stake, as foreign hackers try to steal sensitive information from businesses.

"The truth is that all citizens are vulnerable to these kinds of cyberattacks," Goodlatte said.

A spokesman for one of the largest U.S. credit bureaus, Tim Klein of Equifax, said an initial investigation showed that hackers used a website designed to give consumers a free credit report. The hackers apparently used personal details about their victims to impersonate them and generate the credit reports.

Representatives for Experian, Equifax and TransUnion have all said they were cooperating with the U.S. criminal investigation being conducted by the FBI and Secret Service.

A retired FBI executive assistant director, Shawn Henry, said he hopes the incident sheds light on the scope of the cybersecurity problem and identity theft in particular, which affects millions of Americans who aren't famous enough to make headlines.

"There's a lot of sensitive data available online," said Henry, the president of CrowdStrike, a security technology company. "People aren't keeping information in a safe locked behind closed doors. Information being breached and violated is happening every day."

In San Francisco, Cloudflare operates the directory computers, known as name servers, used behind the scenes to send visitors to the Russian website where the stolen credit reports were being published, according to Internet registration records. Without that service, few Internet users would be able to visit the Russian website or view the stolen credit reports.

A company spokeswoman, Carol Carrubba, told the AP that Cloudflare, which she described as a performance and security company, doesn't comment on its customers. But Carrubba said: "Even if we delete a customer's account, the content remains in place, though the site may load more slowly."

Internet directories on Wednesday continued to identify Cloudflare as directing traffic to the Russian website, although any technical changes could take hours or days to update across the Internet.

Last month, the chief executive at Cloudflare, Matthew Prince, said in a speech that he had been victimized last year by hackers associated with the group UGNazi. They tricked Google into giving them access to his Gmail account, Prince said, and left voicemails taunting him that they had bought his Social Security number from an underground Russian website. Prince said the break-in of his personal email account also allowed the hackers to take over Cloudflare's corporate email systems.

In his speech, Prince said his company traced the attackers within 24 hours, and the hackers turned out to be among Cloudflare's customers.

The FBI in San Francisco declined to tell AP whether investigators have contacted Cloudflare to review payments or communications that had been used to set up the service.

The website address uses an Internet suffix originally assigned to the former Soviet Union, and many of the pages feature unflattering pictures of the person featured and taunting messages to them. A counter on the website indicated that it had received more than 450,000 views since its existence was revealed on Monday.

Social Security numbers posted on Jay-Z, Mel Gibson and others matched records in public databases. Social Security numbers are not public records, although they used to be included in some court filings. Many courts require the information be redacted from filings since the numbers can be used to steal a person's identity and open credit accounts in their name.

 

Read more >>

Sunday, March 10, 2013

New rules may ease China pollution, won't solve steel overcapacity

New rules aimed at making China's sprawling steel sector greener will do little to tackle rampant overcapacity or help Beijing protect its big state-owned mills from smaller, nimbler rivals.

China's environment ministry has said it will impose "special emissions restrictions" from next month on major industries from steel and petrochemicals to cement, non-ferrous metals and coal-fired power. Environmental inspections have already started in big steel producing regions.

But when it comes to steel, it's more than just pollution.

Many in the industry hope the curbs will help tackle overproduction, slash the number of privately-owned mills and boost the market share of state-owned giants such as Baoshan Iron and Steel (Baosteel), Wuhan Iron and Steel and Angang Steel.

"If we are to solve the emissions problem more effectively, reducing capacity is a part of it," said He Wenbo, Baosteel's chairman, on the sidelines of China's parliament session last week. "We approve of any effort to strengthen the laws, and no enterprise in the steel sector that has reached a certain standard will oppose it," he said, noting the implementation of environmental standards would help create a level playing field.

Wang Yifang, head of China's biggest steel firm, the Hebei Iron and Steel Group, also said China needs to use environmental controls to rein in overcapacity.

Big mills have seen their profits eaten into by smaller rivals, and the government has sought to boost the giants' competitive position by raising industry standards and thresholds. It wants its top 10 mills to control 60 percent of total capacity by 2015, up from around half now, and is likely to use "administrative measures" like pollution and resource-use standards to meet that goal.

"I think the government is sincere in its efforts to curb pollution but at the same time, it is of course trying to increase its control over the steel sector. Cleaner air and a more orderly steel industry is a win-win for China," said a government policy researcher who didn't want to be named.

WISHFUL THINKING

Still, many analysts suggest the government is again guilty of wishful thinking. While the costs of the industry minnows could increase as a result of the new pollution guidelines, the big mills could suffer just as much.

"Currently, many of the big steel mills also fail to meet environmental standards," said Cheng Xubao, an analyst at Custeel, an industry consultancy.

The new measures are part of China's response to the hazardous smog that choked Beijing in late January. While much of the smog came from vehicles and coal burning, around a fifth drifted into Beijing from surrounding regions, especially the steel producing province of Hebei, according to a study by the China Academy of Sciences.

Steel is one of the biggest polluters, largely due to the use of coking coal in the production process. China's total crude steel output of 716 million metric tons (789.25 million tons) last year would have required the combustion of some 430 million metric tons of coke.

But industry officials insist most steel firms already have the necessary equipment, including dust extractors, desulphurising "scrubbers" and protective screens. CISA Secretary General Zhang Changfu said earlier this year steel had been branded an "arch-criminal" even though it was now essentially a "green industry".

"The environmental requirements for Hebei steel enterprises ... are already basically in place. Currently, the operating conditions of the whole steel sector are very tough," said Jiang Feitao, a steel policy researcher with the China Academy of Social Sciences.

The problem is often one of oversight. Many mills turn off their equipment when inspectors aren't looking in order to cut costs, and officials tend to turn a blind eye.

"The issue is whether the machinery is running, and whether the local government has the determination to enforce it," said Henry Liu, an analyst at Mirae Asset Securities in Hong Kong, noting the problem is still fundamentally an economic one: that the local government is reluctant to strike too hard against a sector that provides thousands of jobs and millions of yuan in tax revenues. Beijing would also be reluctant to damage Hebei's economic lifeline and risk a wave of migration into the capital.

STATE VS PRIVATE

The governor of Hebei, Zhang Qingwei, said last week that while the province was committed to restructuring its massive steel sector and improving its green credentials, it was not focusing its attention on private players. "We will support those companies that do well, whether they are state- or privately-owned," he said.

On a purely economic basis, the small and private firms have performed best under tough conditions over the last two years. It's likely they are also better placed to survive any hike in environmental costs.

The CISA complained in January that profits at its member mills - mostly large-scale and state-owned - slumped 98 percent last year on weak demand and chronic overcapacity, exacerbated by the small "rampantly expanding" mills. But the CISA has always been reluctant to acknowledge that those private mills have remained more profitable than their lumbering state counterparts.

"2012 was not as bad as the media said for the steel industry, because private firms' profitability was generally better than the state-owned enterprises (SOEs)," said a steel industry official who asked not to be named.

"They are able to react faster to the market. That's because private firms control their own production; they can stop producing if they are operating at a loss, but SOEs still sell, even if they lose money on every sale."

(Additional reporting by Lucy Hornby and Coco Li; Editing by Ian Geoghegan)


View article...

Read more >>